One writing tip I’ve heard
over and over again from my editors is to write plausible plots. This is a hard
task to accomplish when writing the paranormal or science fiction genre,
because basically the content is far-fetched. However, even with that fact in
mind, a writer of such works has to make the incredible, seem credible.
My time travel novel, ALTERED JOURNEY (ZLS Publishing) is
about a man going back in time to save his family from being murdered. While he
ventures back, through an attic portal, I have his life (as it would have been
if his family hadn’t been killed) flash through his mind so he’d be prepared to
exist in the past, know his place in the family and those individuals he was
never privileged to meet.
My adult romantic fairy tale, A RIVER OF ORANGE (The Wild
Rose Press) is about a young woman, ship-wrecked on an enchanted isle, falling
in love with and inspiring a shape-shifting, young king to overcome his curse
and reclaim his throne. To do this properly, the young woman had to do some
soul-searching and reclaiming of her own.
My paranormal mystery, COMA COAST (Wings Press) is about
a woman, left in a coma from an auto accident, falling in love with a man she
meets while unconscious. Her journey to find him when she awakens brings forth
a past she never knew and the friendly haunting by a helpful ghost. Again, the
character’s inner reflections upon her own life, and coming to grips with who
she really is, made the plot believable.
I do admire, though, the script writers of the classic
horror film. They seem to get away with ignoring the “plausible” rule,
effectively managing to scare the breath out of the viewer.
Let’s
take apart the horror flick:
THE FALL – In every horror film the woman, while running
from the creature stalking her, falls. First of all, a zombie or a mummy (which
have many times been the horror creatures) walk so slow, it’s a wonder they
could catch anything . . . let alone a woman running for her life. The irony of
this is, the woman could do fine running over uneven terrain – then will
suddenly lose her footing on level ground, just as the creature becomes the
closest. And why is it always the woman who falls?
THE SEPARATION – I don’t know about you, but if I was
being terrorized by something unexplainable frightening, the last thing in the
world I’d do is separate from the other people in my group. What in heaven’s
name do these characters think they can accomplish my diminishing their
fighting unit to just one person?
THE BASEMENT – Now, I hate the basement on a normal,
sunny, afternoon. If you think I’d attempt going downstairs at night, when the
power’s been cut, during a thunder and lightning storm, and after hearing
unusual activity, then you have a brain the size of a pea. What person in their
right mind would have the courage (or stupidity) to try this? You can bet your last
dollar I’d high-tail out of my home as fast as my legs could carry me (making
sure not to fall), go to a neighbor’s house and call the police. Or get into my
car and drive as far away as I could to get help.
THE CAR – And that brings us to the getaway vehicle . . .
one that works perfectly fine throughout most of the movie, but suddenly
develops ignition problems (after the character drops the key and takes time to
find it) when its needed as an escape from harm’s way.
And yet, as implausible as it might be, we sit at the
edge of our seats in terror – hands over our eyes and peeking through finger
slots, while watching a horror film. We let it scare the daylights out of us.
We look in closets, check behind the shower curtain, and beneath our bed before
we go to sleep. We contemplate keeping a light on, check the locks on the doors
(especially the basement door), and sleep with a cell phone in our hand (just
in case the phone lines are cut). So, as far-fetched as the movie script is, it
can still frighten us. The writers have hooked you, gotten you to picture this
scenario as really happening. And it all starts to become plausible because you’ve
begun to believe. It’s a hard job that’s
well done . . . editors take note.
HAPPY WRITING!
Roberta C.M. DeCaprio